64 pages, $14 cover price
Released: August 2, 2016
A Professor of English at Castleton University, Vermont, Joyce Thomas teaches courses in world and children’s literature; she is the author of one non-fiction work, Inside the Wolf’s Belly: Aspects of the Fairy Tale (Sheffield Academic Press, England), and one collection of poetry, Skins (Fithian Press). Her poetry has appeared in various small press magazines and journals, as well as anthologies, including Birchsong: Poetry Centered in Vermont, eds. Gilborn, Hunter, Cone, Nicholson and Stillman (The Blueline Press); The Poets’ Grimm: 20th Century Poems from Grimm Fairy Tales, eds. Jeanne Marie Beaumont and Claudia Carlson (Story Line Press); and Orpheus and Company: Contemporary Poems on Greek Mythology, ed. Deborah DeNicola (University Press of New England). Poetry awards include the 2005 James Hearst Poetry Prize (North American Review).
These are amazing poems that inhabit that mythic folktale realm between the animal world and the human. The poet understands both and moves freely between them whether exposing arrogant cruelty or uncomprehending suffering. The haunting images surprise with depths of insight and immense compassion, knowing that we all share the same cycle of life. — Michael O. Riley, Profess of English at Georgia College and author of Oz and Beyond: the Fantasy World of L. Frank Baum
Washing Birds is all about celebration and compassion. Joyce Thomas recreates in words the curious wonder that is nature (elephants and birds, for instance), the unlikeliness of the human heart. She summons from her readers regret for the birds and elephants suffering the whims and catastrophes attending human amusements and pollutions. She recognizes both the natural mutability that all creatures (elephants, birds, people) share, and the cultural calamities of endangered species and heart attacks. There is white magic and black magic in the world. Joyce Thomas invites us to respond to both. –Tom Smith, Jack’s Beans: a Five-Year Diary
Driving the dog home from the small animal hospital,
I am struck by those so early waiting
by the side of the road,
by the children who are standing
in small packs or singly
as my thoughts turn to school buses
and dogs, and the years of waiting
for the yellow bus
to come down the road, caution flashing
under the early morning sky
and the moon’s old coin fading to blue.
Now the children I see
buttoned or zipped against the cold
seem to be waiting for the world to begin
and come break their dream
of the fields and the cows draped in clouds
near the stops where they stand;
and some of the children wait shadowed by dogs,
dogs that are mostly black-and-tan mixes
or golden retrievers like scraps of the sun
warming the last of the leaves that have fallen
where they sniff near their boy,
near their girl,
‘til the yellow school bus at last comes,
and they leave.
To return at exactly a quarter past three
and wait for the bus,
the same that we passed but a short while ago;
wait for the children, the lost boys
and lost girls, whom they will wag home:
wag like the years,
the years I have summoned that come running,
most loyal of ghosts,
under the moon’s gnawed bone.
It is easy to despair
as one begins to cleanse with liquid Dawn,
so one thinks of sunrise and resurrection,
or, at least, remembers
standing at the kitchen sink
taking one’s turn at doing the dishes
or recalls the sudsy splatter
when washing the dog.
Thinks, as one bathes
each wad of sludge and feathers,
eyes uncomprehending why “the sea change”–
each rag that could be almost anything but
pelican, heron, gull, tern
black as the plastic bags
into which the oily dead are dropped,
wings come down to trash.
It is easy to care too much.
So one thinks of the razor-sharp edges
of fine bone china saucers and cups,
and the soft, smooth skin of babies:
of things too precious to be entrusted to machines.
And of the dying who often are—
and, yes, those who bathe them:
their hands light as breath,
lest at their touch the body might
like a chrysalis split before it is time.
I’ve been thinking of the fish my grandmother’s sister kept in the pool
in her garden, how beautiful they were
with their veined, translucent fins and tissue paper tails,
and long, flowing moustaches trailing like scarves in the air
that was water, and them glimmering orange, gold, ebony and pearl
in luminous reiterations of scales and sun,
of fish that cost more than a meal.
How I stood at the rim watching them swimming
and leaping to snatch the buzzing beads of the flies
before sinking like fringed jellyfish down
in the dark that seemed deep as a well,
sinking so slowly I could not tell when the body vanished,
its image became only a shimmering scrim of scales,
of brightness that had been looked at too long.
How I stood peering in, looking for them like tiny Nessies
to rise out the leafy spume of the depths,
rise like loosed kites winging up to the heights
where I stood at the rim sowing bread on the water
with handfuls of wishes, wishes
for fishes to come swimming in light,
come for the crumbs being flung on the mirror,
come through the dimming drowned moon of my face.